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Elie Saab Couture Paris Fashion Week Autumn /Winter 2012-13

MODEL of the moment Karlie Kloss opened the Elie Saab show.  It was an elegant and restrained opening look – and one that set the tone for the rest of the collection.

Over the years Saab has become known for his red carpet gowns and it has become all too easy to think we’ll know what we can expect on the catwalk from him before it’s even been seen. But that wasn’t the case today. Yes, the Lebanese fashion designer went pretty and elegant and shimmery , but it was also restrained and refined.

Saab launched his label in 1982 at the age of 18 and by 2000 had been invited to show in Paris by the Chambre Syndicale de la Haute Couture. In 2007, he was made a corresponding member. Evening gowns have always been at the heart of what he does.

Saab drew upon a pastel palette to promote his vision. After the series of black lace dresses came those in nude and white, and then those garnished in gold. We then saw pink and peach gowns with splaying skirts, cinched-in waists and bejewelled bodices.
The collection then moved onto a blue section; starting in shades of teal before progressing onto baby blue and then combining the two with yet more helpings of gold. And while gold was used in its plenty, shapes and embellishment were always considered.
















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Elie Saab Autumn/Winter 2012-13 Ready-To-Wear Paris

ELIE SAAB is known for his red carpet creations . This season, though, you might just be a little more hard-pushed to find one – the Lebanese fashion designer concentrated more on daywear in sombre and sober shades. It was stiff and structured and quite the about turn from someone from whom we usually expect lots and lots of sparkle.

To begin with he went smart with skirtsuits in grey and panels of black, belted and with peplums  and then came skater skirts beneath shaggy coats, again in grey and then in black. Trousers and a shirt and a pencil skirt all reminded us that these were very much daywear looks, and worn as they were with satchels across the body meant this was enhanced.

But then Saab began to step it up a notch , trousers came with ornate and elaborate tops that twisted and turned and wrapped and unravelled around the torso so that they billowed with a tail, of sorts, behind them. A quick segue back into neutral territory , cue a  simple and softly-shaped coat, a short and a jacket and trousers combination  and then we got into cobweb dresses that went from burgundy to black, panels of tangles on full-length gowns or on svelte short numbers.














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Taz Arnold has worked with Kanye West

Music producer, fashion designer and bona-fide style guru, Taz Arnold does it all  - Inspired from a young age by bohemian parents - his mother still makes her own clothes and his father has been interested in fashion since the early ‘60s - it’s no surprise that Arnold has developed his own quirky and attention-grabbing style.

The California native studied at Santa Monica College where he began mixing his love of both music and fashion. Since then he has created Sa-Ra, a hip-hop production group and performing act, started his own line, TI$A (Taz Is So Arnold) which sells graphic tees, baseball hats and hoodies, and worked with the likes of Kanye West, Iggy Pop and Herbie Hancock. If his impressive resume doesn't convince you that he knows what he's doing, then his ability to mix Chanel and gold teeth will.
Arnold is the first to admit that he likes exclusivity and has a taste for the finer things in life, but goes on to say that “guys only have a few things to speak with, they don’t have a lot of options.” With that in mind, it makes sense that he takes every opportunity to express himself, whether it's through a patterned knee sock or bright Versace sunglasses.

Taz Arnold's Closet Interview For StyleLikeU



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Lady Gaga and US Vogue

photographed by Mert Alas and Marcus Piggott

"Im so excited to post the SEPT ISSUE OF VOGUE in 30 min! Photographed by MERT & MARCUS," tweeted the songstress, before posting a picture of her stunning front cover.
Lady Gaga took to Twitter August 9 to unveil her eagerly awaited front cover for the September issue of US Vogue.
Sporting huge backcombed hair, the songstress is clad in a hot pink fishtail gown by Marc Jacobs, with styling by Grace Coddington.
The moody full-length image is a stark contrast to the typical close-ups of smiling celebrities that often make the front cover, and it appears to have gone down well with Gaga's 28 million-plus followers.

"My water just broke," wrote one fan, while another remarked a similarity to American drag queen RuPaul.

Vogue.com
Vogue has long been amorous with pop stars, with Madonna famously fronting the cover in 1989 and British soul sensation Adele making the grade back in March this year.
Publications regularly look to put the biggest stars on the covers of their September issue; other already revealed covers for September 2012 including Karlie Kloss on the covers of both Vogue Japan and British Vogue, Keira Knightley for the September issue of Harper's Bazaar UK and Victoria Beckham for US Glamour.

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A behind the scenes clip followed -- with the songstress seen dancing around in a fishtail Marc Jacobs gown while posing for the camera.

So far reaction to Gaga's Vogue cover has been positive, with some fans remarking on Gaga's similarity to American drag queen RuPaul in the moody full-length image.



Publications often look to put the biggest stars on the covers of their September issue; other already revealed covers for September 2012 including Karlie Kloss on the covers of both Vogue Japan and British Vogue, Keira Knightley for the September issue of Harper's Bazaar UK, Katy Perry for US Elle and Cindy Crawford for Tatler UK.

photographed by Mert Alas and Marcus Piggott
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2012 Olympics Close With a Fashionable Twist


WWD - GOODBYE TO ALL THAT: Barring the national uniforms produced by designers including Stella McCartney, Giorgio Armani, and Ralph Lauren, fashion statements have been thin on the pitch over the past two weeks. Even the ever-stylish Duchess of Cambridge stuck to a relatively anonymous uniform of skinny jeans, a white Team GB polo shirt, and a blue blazer for many of her outings, presumably to ensure that the attention remained locked on the athletes. But as the Olympic spectacle of Lycra, technical fabrics, and muscle-hugging silhouettes came to an end on Sunday, London's fashion designers grabbed their place in the spotlight at the Closing Ceremony.

Lily Cole, Karen Elson, Kate Moss, Naomi Campbell


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Fashion world mourns style icon Anna Piaggi


AFP - Designer Stefano Gabbana has led a pouring out of Twitter tributes to renowned style icon Anna Piaggi following reports of the 81-year-old's death in the Italian press.
On August 7 La Repubblica published the news of the famous fashion writer's death, while creator Gabbana -- one half of design duo Dolce & Gabbana -- revealed the news online by tweeting "RIP Anna Piaggi... :((((( ciao grande Anna!!!"
Piaggi, who was a frequent contributor to Vogue Italia, became known internationally for her eccentric style and trademark pale blue hair.
The publication's current editor-in-chief Franca Sozzani tweeted her own tribute to Piaggi, making reference to the late writer's column entitled "D.P. Doppie Pagine di Anna Piaggi."
"23 anni di lavoro insieme, migliaia di D.P. realizzate insieme. Ti ricorderĂ² sempre Anna" ("23 years working together, thousands of D.P. done together. Will remember you forever Anna"), tweeted Sozzani.
As well as becoming a Twitter trending topic in Italy, Piaggi's name was also one of the most talked about in London.
Burlesque dancer Dita Von Teese was one of the first celebrities to pay tribute to the fashionista and her unique dress sense.
"So sad to hear that Anna Piaggi, one of my last icons of beauty & fashion has passed. She was the height of glamorous eccentricity," she wrote.
Fashion heavyweights including stylist Lori Goldstein and W magazine fashion director Edward Enninful also paid their respects.
"did i just wake up to find out anna piaggi died???? that makes me more than sad... A TRUE 1 of kind w/ style & substance. not like todays faux," tweeted the former.
Meanwhile, New York-based writer Sarah Nicole Prickett recalled the flamboyant outfits Piaggi donned to hit the front row during fashion week season.
"Anna Piaggi, no longer living legend. To see her at a fashion show was to witness a tiny, significant riot," wrote Prickett.

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Anna Piaggi, the Vogue Italia fashion contributor and style icon, was born in 1931 in Milan. Known for her exuberant and flamboyant fashion sense, she began her career in the Sixties as the editor of Italian women's magazine Arianna, before going on to become editor at avant-garde publication Vanity in the Eighties. Aside from her penchant for blue hair and eccentric outfits (always accessoried with a walking cane), Piaggi was best known for her work with Vogue Italia. It was a collaboration that began in the Sixties and saw her inspire the fashion world with her innovative and intellectual double-page spreads, or DPs.

Born to an academic family, she attended a boarding school outside Milan and, finding it too strict, decided to go on and work as an au pair so that she could travel and learn different languages.
She married the photographer Alfa Castaldi in 1962 in New York. She had met him while working as a translator for publishing house The Mondadori Group. He died in 1995.
Karl Lagerfeld, who has sketched her on countless occasions, Stephen Jones and Manolo Blahnik were among the fashion doyenne's friends and collaborators.
She met Jones in 1982 and chopped off all of her hair to make a canvas upon which the milliner could showcase his master creations. "Hats are like a halo of happiness," she said.
She played muse to Karl Lagerfeld who, during the Eighties, dedicated the book Anna-Cronique to her. She featured in it as a comic strip character. The pair originally met in 1974.

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